Mounted Phone Camera Settings

Direct Answer

iPhone and Android (including Galaxy S25 Ultra) use the same mount preset in Meddly; camera names in the app differ by platform.

For mounted multi-camera shoots with Meddly, use the main wide rear camera at 1×, set Video Stabilization to Off, turn Low Light Boost off when cameras face a lit stage, and record in landscape on every rig. On iPhone this is Back Camera (wide); on Android (for example Galaxy S25 Ultra) pick the equivalent wide back camera in Camera Options, not ultra-wide-only or telephoto-only. Use the same choices on FOH, stage left, and stage right so synced sequences stay consistent.

Updated: June 8, 2026

Our Setup: Three Mounted Phones

We often run three iPhone 17 Pro Max devices on fixed mounts for indoor rock shows; the same rig roles and in-app settings apply to Android phones such as the Galaxy S25 Ultra. Each phone joins the same Meddly event so one Event Manager can start and stop every angle at once. After the set, uploads sync by audio and feed sequences and Moments.

• FOH (front of house): Center, elevated, looking at the full stage. This is the master wide angle for drums, both sides of the stage, and overall layout.

• Stage left: Side profile from the left wing or apron. Framed for one consistent zone (for example, keys, guitar stack, or half the drum kit from the side).

• Stage right: Mirror of stage left on the opposite side. Same height band and zoom as the left rig when possible so cuts feel balanced.

Physical mounting matters as much as software settings. Use a stable tripod or surface clamp, keep USB-C power on every phone, and leave airflow around devices so long sets do not throttle. See Optimal Recording Setup for Events for clamp and tripod detail.

Settings We Use (All Three Phones)

Open Camera Options in Meddly from the Camera screen (tap the three-dot control before recording). Settings persist on each phone until you change them.

Short form for notes on set (iPhone labels):

FOH:        Back Camera (wide) · 1× · Stabilization Off · Low light boost Off · landscape
Stage L:    same
Stage R:    same

Keep flash off on every rig.

Galaxy S25 Ultra and Other Android Phones

The preset above is the same on Android; only the camera name in Device Options differs. Choose the back camera that matches your normal 1× view (least distortion, not the super-wide preview). Meddly still records 1080p at 30 FPS on Android.

Short form for notes on set (Android; fill in your wide camera label once):

FOH:        <wide back camera> · 1× · Stabilization Off · Low light boost Off · landscape
Stage L:    same
Stage R:    same

• Low Light Boost only applies when the phone and format support it. If the toggle has no effect, rely on stage lighting and the wide sensor at 1×.

• If Stabilization Off prevents recording or shows no valid format, try Auto or Standard on that device only, then re-run a 10-second test clip.

• Mixed iPhone and Samsung angles in one event are supported. Match the concept on every phone; do not expect identical color between brands.

Android-specific issues? See Troubleshooting Android.

Why These Settings

Main wide rear camera at 1×

On iPhone 17 Pro Max, Back Camera (wide) is the cleanest default for 1080p30 capture in Meddly. On Galaxy S25 Ultra, pick the primary wide back camera at 1×, not ultra-wide-only. Back Ultra Wide (iPhone) and super-wide Android cameras add distortion on truss and amp stacks and are noisier when the house is dark and the stage is bright. Multi-lens / triple setups are useful for handheld zoom; on mounts we lock wide only so lenses do not switch mid-set.

Video stabilization off

Mounted phones do not need electronic stabilization. Off avoids extra crop and reduces odd motion on concert strobes and haze.

Low light boost off

Stage-facing cameras are lit by spots and washes, not room ambient. Boost can pump exposure between bright lights and dark shadows and tint skin and gels. With boost off, stage lighting drives exposure more predictably.

Landscape

Meddly locks orientation when recording starts. Mount every phone landscape before the Event Manager rolls so width and height match across angles in the timeline.

Before the First Song

1. Apply the table settings on all three phones and confirm zoom reads 1× on each preview (wide camera selected on Android).

2. Join the same Meddly event on every phone and verify each appears in the Event Manager session view.

3. Record 10 seconds with stage lights up on each rig; review saved files, not just the viewfinder.

4. Confirm USB-C power, storage headroom, and that camera options cannot be opened during an active recording (change settings only while idle).

5. Run one coordinated start/stop test so sync and framing are verified before the set.

When to Adjust

• FOH too tight at 1×: Try a modest tele zoom on one test phone only. If you like it, match that zoom on FOH for the show and keep sides at 1× wide.

• Mostly dark crowd shots: Try low light boost on that angle only; leave stage-facing rigs off.

• Handheld roaming camera: Use stabilization Auto or Standard and see the concert recording guide for role ideas.

Frequently Asked Questions

Should I use Back Ultra Wide instead of Back Camera (wide)?

For mounted concert and event rigs, use Back Camera (wide) at 1×. Ultra wide fits more in frame but is noisier in low light and bends stage lines. Only switch to ultra wide if a test clip at 1× wide truly cannot fit your framing.

Why turn video stabilization off if the phones are on tripods?

Stabilization is built for handheld motion. On a locked mount it can crop the image, breathe on strobes, or add subtle warping without helping shake. Off keeps the full frame stable and consistent across angles.

When should Low Light Boost stay on?

Leave it off when cameras face a lit stage (typical for FOH and stage-side mounts). Turn it on only for angles that mostly capture a dark audience or house, and only if test footage looks too crushed in the shadows without pumping exposure on lights.

Do all three phones need identical settings?

Yes. Matching camera device, zoom, stabilization, and low light settings helps sequences look consistent after Meddly syncs and processes your clips. Framing differs by position; processing settings should not.

What resolution does Meddly record on iPhone and Android?

Meddly records 1080p at 30 FPS in the app on both iOS and Android today. Mount settings below optimize source quality at that resolution; final sequences may be transcoded again during processing.

Do these settings apply to a Galaxy S25 Ultra?

Yes. Use the primary wide rear camera at 1×, stabilization Off on mounts, low light boost Off when aimed at a lit stage, and landscape. Android lists different camera names than iPhone; avoid ultra-wide-only and telephoto-only devices. If stabilization Off prevents recording, try Auto or Standard on that phone only. Color will not match iPhone exactly, but matching settings across rigs matters more for sequences.

Can we mix iPhone and Samsung phones in one event?

Yes. Meddly supports iOS and Android in the same event. Apply the same concept on every phone (wide 1×, mount preset, landscape) even when the camera labels differ. Run a short test clip on each device before the set.

Related Guides and Next Steps

• How to Record a Concert with Multiple Phones

• Optimal Recording Setup for Events

• App to Sync Videos from Multiple Cameras

• iOS device troubleshooting

• Android device troubleshooting

• Detailed recording events workflow